I feel it coming the weeknd featuring daft punk dirrty remixes

They introduced Italo icon Giorgio Moroder to a new generation that hadnвЂ™t even been born by his вЂ™70s heyday, helping kick off the decadeвЂ™s disco revival with Pharrell Williams and ChicвЂ™s Nile Rodgers, they came up with the joyful, effervescent вЂњGet LuckyвЂќ, a song so effortlessly delectable that hearing it for the first time was like being reacquainted with a childhood friend. Yet once again, even as the culture was trending in one direction, they feinted left: Their 2013 album, Random Access Memories, released at the height of the EDM boom, all but abandoned obvious digital trappings in favour of slinky organic disco played by real human musicians. Not only did Daft Punk help popularise electronic music, but their legendary 2006 Coachella performance from inside a neon pyramid helped set the stage for EDMвЂ™s turn toward hi-def spectacle in the 2010s. With songs like вЂњOne More TimeвЂќ, Daft Punk proved their unrivalled ear for a platinum hook a cut like вЂњRobot RockвЂќ, meanwhile, was pure alchemy, turning a forgotten hard-rock obscurity into an unforgettable anthem. A pattern emerged: Dance music purists were initially aghast, yet both records quickly rewired the collective consciousness, paving the way for crate-digging iconoclasts like Justice and Kanye-and minting a fair number of stone classics in the process. But Daft Punk didnвЂ™t linger on their creation their next two albums, 2001вЂ™s Discovery and 2005вЂ™s Human After All, largely abandoned house and disco in favour of audacious sample flips from obscure вЂ™70s rock and funk. Such sound-sculpting helped give birth to the вЂњFrench touchвЂќ, a wildly influential production style whose luxe detailing continues to resonate through dance music decades later.

The duoвЂ™s innovation was to take the wriggly, rough-hewn style-a descendent of disco, rooted in Black and queer communities in AmericaвЂ™s cities-and sand down its edges, giving looped funk basslines both sensuous heft and Gallic panache. Shortly after, in 1993, the two regrouped as Daft Punk, trading their guitars for synths and samplers, and paying homage to the silky, hypnotic thump of Chicago house. Parisian natives Guy-Manuel de Homem-Christo and Thomas Bangalter, born in 19, respectively, met in school and played briefly in a rock band, DarlinвЂ™, with future Phoenix member Laurent Brancowitz. Few acts have done as much to translate electronic musicвЂ™s sometimes arcane pleasures to popвЂ™s broadly universal contours.

Daft Punk may pretend to be robots-their gleaming cyborg helmets are among the most recognisable silhouettes in modern music-but itвЂ™s the French duoвЂ™s warm, clearly human hearts that make them so beloved.

I feel it coming the weeknd featuring daft punk dirrty remixes